rus vanwestervelt

The Single Moment Holds Infinite Possibilities

Archive for the ‘Anatomy of a Writer’ Category

June 14th, 2012 by rusvw

JUST ANNOUNCED: ONLINE MEMOIR WRITING GROUP FORMED.

I have been interested in memoir writing all my life. I wrote my earliest pieces in sixth grade, thanks to a tremendous teacher, Jack Delaney, who introduced his students to the world of writing true stories about the experiences we had in our young, young lives.

I graduated from Goucher College with a Master of Fine Arts in Creative Nonfiction, and one of the tracks available to us was memoir writing. Working with writers like Philip Gerard, Lisa Knopp, and Leslie Rubenstein transformed my writing in ways I never imagined possible. More important, though, is the urgency of memoir writing that they instilled in me. We all have stories to tell, traces of our existence experienced exclusively by us. To let those stories go untold loosens the fabric of our generation’s history, our experiences, our lives.

When the larger fabric of our country’s — and our world’s — history is missing the too-many threads of stories untold, we begin to get a tattered picture of what this life is like for all of us. The documentation becomes unbalanced; we look back on generations past and wonder, was it really this one-sided?

We have a need, a responsibility, to tell our true stories, but with that responsibility comes fear, sometimes anxiety — perhaps even dread. What will others think about the things I have experienced? How can I write about the stories that have changed my life when I know I will hurt the ones who once hurt me? What if I put all of this energy and courage into these stories, and then no one reads them?

All good questions that demand even better answers.

If you are interested in writing memoir, and would like to join our closed group of individuals who are exploring the sub-genre and sharing relevant information about writing tips, strategies, reviews, conferences, and publication opportunities, come on over and join us. You can find us on Facebook at

https://www.facebook.com/groups/338136912921598/

We hope you will join us. Together, we can tighten the fabric of this life we are living, and share with generations yet born what mattered most to us in our lifetimes, and why.

November 19th, 2011 by rusvw

Is Brevity Replacing A Writer’s Sensibility?

Writers are being forced to think too much these days (I think), and they are facing a danger that is both very real and damaging to the relationship between reader and writer.

Because of the changes in how we spend our time reading stories, not to mention how we read them in the first place, writers are working desperately to keep a captive audience — not an easy thing to do with so much writing now available so freely and immediately.

Do I focus on search-engine optimization (SEO)? What about word count? What does my target audience (who is that anyway anymore?) really want?  What is going to hold my reader more than 90 seconds, when their finger is perched precariously on the tip of the mouse, ready to click me into oblivion as the search continues for something more entertaining?

With the exception of SEO and the ease of maneuvering from one piece of writing to the next, all with a click of the mouse, the questions I pose for writers above are no different than what writers have been asking themselves for decades. We still want to write for an audience that understands what we are saying, even if they don’t necessarily agree with it.

But how to do that?

It is precisely due to the ease of leaving your work that makes writers more desperate to hold on to your attention. Before blogs and search engines and RSS feeds, we just had to tease them enough to buy the darn thing. Once they got it in their hands, they gave us a fair chance — maybe a few chapters or up to 100 pages — before they made a decision to keep on reading or line the birdcage with its ripped-out pages.

In that desperation, I think we are sacrificing sensibility, the very essence of a writer’s passion for writing the piece in the first place. We are so concerned about getting to the point very quickly that we do not allow our purpose, our intent, to build in the story.

This is why, I think, we are seeing “flash fiction” and similar nonfiction subgenres continuing to emerge as a legitimate form of writing. How quickly can you get to your point and share that sensibility before you reach your last-allowed 750th word? At times, I feel like I’m reading stories that are more suited to fit in the microwave-ready Lean Cuisine dish.

Sure, these stories/meals are good on-the-go, but is it really possible to establish and sustain long-lasting and filling themes with such a diet?

As I wrap up the final edits on my book that goes to the printer next week for a December 9th release, I know that one of the best things going for me is that the story is short — a mere 51,000 words that barely pushes the 200-page mark.

But I am also making sure that, to the best of my ability, I didn’t compromise sensibility in keeping it short.

I guess it comes down to this. Go ahead and microwave my story, but please set aside the afternoon to enjoy the sliced turkey and corn niblets. I hope that what I have to share takes a little time to digest. :)

April 23rd, 2011 by rusvw

Stay in the stream?

Distractions, distractions, distractions….

I am guilty of inviting them, these distractions. I interact with Facebook friends on an hourly basis at times, especially when I am engaged in a rather exciting experience. Earlier this week, My wife and I took our two younger children for a Light Rail tour of Baltimore, stopping on three of the stops and exploring coffee houses, museums, and the lure of Camden Yards and the Inner Harbor. Along the way, I updated my Facebook status, “checked in” at each location, and uploaded pictures of each site.

In many ways, I felt as if my Facebook Friends were with us during the entire day-long trip.

I was the one who invited you. Nobody asked me to take them along. I just jumped in the stream and paddled with the current.

I am so happy and disgusted with this stream for so many reasons. I am not a black/white person; I believe in variations of gray, where flexibility and participation runs on an experience-by-experience basis. But I don’t think I have ever faced such a love/hate relationship with two extremes in my life.

I click on any of the news feeds, and I am bombarded with unspeakable tragedies–all in my own back yard. I click over to Facebook and agonize over status updates and how others are doing. I am both comforted by being in touch and overwhelmed by the stream of information that sustains this pulse with the rest of the world.

By doing this, though, I lose my own pulse and struggle with le seul mot juste, that one precise word that I can no longer find to capture my dizzying thoughts that have lost their ability to just slow down enough to appreciate the simple movement of the Earth.

Just the other day I had breakfast with a good friend, and I expressed to him the agony of trying to wrap up my book and get it out to the public. I have wrote and rewrote and revised and edited and changed and destroyed and recreated the ending dozens of times. And now, I find myself right back where I started when I had first drafted the ending. All of that rewriting–and for what? Was my motive to find the right words for me? For what I wanted to say? Or was it to please my readers? To give them what they wanted?

My friend reminded me that I cannot be bothered by any of that. As artists, as writers, as creators, we must work with and share what is the most authentic and genuine reflection of ourselves, whether it be fiction, fact, watercolor, or pastels. I nearly ripped out my hair when he said these words, the very same that I have been preaching for the last 20 years to writing students and colleagues. Why is it so hard for us to follow our own advice?

I know that if I unplug to find and retain my own pulse, then I risk losing that other pulse of the stream that feeds me.

But is that so true? Spending so much time in the virtual world has cost me time with one of the best people I know, and I miss our unplugged meetings at the Bean Hollow in Ellicott City. Facebook has reunited me with another wonderful person in my world who now lives in Maine, but would it be so hard for us to write letters? Call each other? Actually make plans to travel north for the first time 17 years?

When I visited the Walters Art Museum a few days ago, I thought of the time, energy, and commitment–discipline–it took to create those paintings, statues, and sculptures. We treasure these findings because they represent those individuals’ unique perspective on their time period–but collectively, the lot of them gives us a greater understanding of the struggles, the imperfections as well as the interplay between life and love, between love and war, between war and peace.

Do we have such depth anymore? What will be in our museum in 2,000 years? Status updates and cool pictures that have been rendered and manipulated by high-tech, low-cost apps that do all the work for us?

Where is the individuality? The hard work? The unique perspective that is not being filtered by some money-making program created by some individual who, like every other developer, is just trying to make our lives easier.

I don’t know if I want your help going down the stream. I don’t know if I want you to make my paddles of the finest wood or plastic. I don’t even know if I want your 21st-century kayaks and canoes that have been tested, thousands of times, to ensure my journey will be both thrilling and safe.

I don’t even know if I like this stream at all. But O! The pressures to stay with the current! To keep up and swim with the masses! I know Emerson wrote that the Great Man is he who can keep the sweetness of solitude with him in the heart of the city. But really, Ralph–did you ever imagine it would be this crazy? Thoreau would walk into town daily to meet with friends and buy his day’s groceries, but he never did his writing immersed in such travels. The distractions were isolated by physical spaces and distances. Today, we are tracked (and we track ourselves) by technology. Any lapse in response to text messages, emails, or the antiquated phone message casts immediate concern and inquiry. Where were you? Didn’t you get my message? Why didn’t you respond? You didn’t have 20 seconds to reply? What was so important that you couldn’t have answered?

Distractions, distractions, distractions.

We are living lives tied by the needs and desires of others, stuck in this whirlwind of what-do-you-thinks and why-didn’t-anybody-responds… (Guilty. Right now. Wondering who will comment, if anybody, and whether this post will click with my intended audience. Whether I will get support and encouragement to leave the stream. Whether this will be a popular decision. Absolutely guilty.)

Hey–I’ve already damned my connection with my reader at this point. I’m over 1,000 words, and most people won’t read beyond the 25-word blurb posted on Facebook’s status feed anyway.

(Have I offended thee, reader? Are you feeling insulted that I have lumped you in with the masses that I am railing against now? Please, do not be offended. I do none of these things. I merely write to understand this struggle within to stay with the masses while staying in my own waters.)

Even with these words, I am concerned with my reader, concerned that I have offended in my own struggles to understand this raging battle between the desire to please and the necessity to create.

I do not believe that an authentic life is possible blending these two. The Sweetness of Solitude can only come when one has learned fully who he is.

Distractions, distractions, distractions.

Will I (or any of us in this new era of distractions) ever be able to accomplish such a feat in our lifetime?